Andy Williams crooning with the Lennon Sisters.
As parents, we all experience moments when our little ones do things that are total head scratchers. Maybe they’ll color on a wall or drop a balloon in the toaster. On those rare occasions when Penelope does one of those colossally incomprehensible things that only a small curious child will do, I pause and take a deep breath.
And I think about Andy Williams.
I suspect most parents don’t do this, but I have a good reason.
I was a wee lad when my parents decided to take a big trip to the west coast that included two nights in Las Vegas. I don’t recall where we stayed, but I remember we saw shows both nights. My parents weren’t exactly the hippest duo out there so the first night we sat at a big round table and saw Vikki Carr with The New Seekers. (I had to look up The New Seekers: They are a British-based pop group, formed in 1969 by Keith Potger after the break-up of his group, The Seekers. They’re best known for the Coca-Cola anthem, “I’d Like To Teach the World to Sing.”) All I recall about that evening is knocking a pitcher of water onto my Dad’s lap during the opening act.
Unfortunately, that was also my opening act. The next evening we headed to Caesar’s Palace to see Lennon. Of course, I’m talking not about John but the Lennon sisters (I warned you my parents weren’t hip!) who were opening for Andy Williams. We sat in the very back of the cavernous auditorium. Lots of crushed red velvet and high-backed booths. When you sat in one of these booths, you sunk deep into the cushions. As a little kid, this meant I had a lovely view of the water glasses, a basket of bread and the crumbs on the table.
I nagged incessantly about my horrible view. Finally, my Mom grew exasperated with my complaints, and suggested I sit up on the top of the booth with my legs dangling down so I could see the show better. I sat perched on this spot for about 10 minutes, gazing out at the auditorium, Andy Williams on stage singing The Impossible Dream, while sneaking peeks at the waitresses scurrying into the serving room behind me.
I leaned back and rested my arm on what I thought was a long black rectangular table. When the table seemed to move a little, I didn’t think much about it. Andy launched into his renedition of “My Way,” really pouring a lot of 1970s-style lounge act into it. Kind of like maple syrup getting poured onto kitchen tiles.
I’m swaying slightly, rocking back and forth to the music in my head and the buzz of the place. Andy is roaring toward the big finish, the dramatic pause just before the closing words of this anthem . . .
. . . And I swayed just a little too much. That rectangular table I thought I was leaning on was actually a very long row of trays. Like dominos they began toppling. The crash and clatter echoed through the vast auditorium, loud enough to wake up Caesar from the dead. People everywhere started looking around to see where the noise was coming from.
I wouldn’t say I totally screwed up Andy’s song. He faltered a bit, lost his rythym for a second, but plowed on through. The last clear memory I have of that evening is my Dad’s big hand grabbing my shirt front and yanking me back into the booth, where I stayed hidden for the rest of the night.
No doubt I got in some kind of trouble, but I don’t remember exactly what. I suspect my parents just dropped a note in my bulging colossaly incomprehensible file and let it slide.
We never did go back to Las Vegas.
So, when Penelope fills up her battery-operated toy blender with colored water and hits the “on” button, I try to maintain a little perspective as I wipe off the bathroom ceiling: Well, at least she’s not interrupting Vegas night-club acts.
Growing Up With Penelope 